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  • Cast In Wisdom & A Killing Frost

    Back in Cast In Oblivion you may remember that the protagonist finally decided to learn more about how to use her powers. Well, the 15th book (not including Cast In Moonlight) in Michelle Sagara‘s Chronicles of Elantra series take the necessary step of introducing a new location filled with characters who can advance that goal. It ends up one of the better installments (despite a continued lack of weight to the action scenes) thanks to both not getting bogged down in metaphysics and Kaylin’s continuing maturation as a character; for those saying she never changes you really need to read the first book (Cast In Shadow) again and then realize that less than 2 years have passed since then.

    Seanan McGuire’s A Killing Frost, the 14th October Daye entry, also advances its goal… far more than I thought it would after the meandering prequel. Not only is the titular ‘Search for Simon’ subplot resolved, but one of the series’ major overarching plotlines gets spontaneously resolved as well. Perhaps a bit too spontaneously. Presumably that event will be examined in more detail in the future, put aside here as it was in favor of wrapping up Simon’s arc, and I hope the author can come up with a believable enough justification for it.

    As for the bonus novella included within: It’s a perfectly fine prequel focusing on the Lordens’ relationship with Simon, which adds some useful context to Killing Frost‘s developments.


  • Indexing: Reflections & Wayward Children

    The second entry in Seanan McGuire’s Indexing series does not appear to have any reason to exist. Oh sure, the foreword says something about people asking “What came next” and that this was the answer… but basically nothing is resolved here, a few additional things are now unresolved, and it ends in pretty much the exact same place the first book did. Just skip it until/unless a third entry is ever written.

    Speaking of things that should be skipped: Wayward Children.

    I know better than to buy something just because I liked some of the creator’s other works. I know better. Worse, I even have a long history of bad experiences with young adult works by authors normally known for writing standard novels. And yet, I still bought the first four of these books and forced myself through them. There are so many negative things I could list about them, ranging from their physical length to their themes to their structure, but ultimately it’s probably best to keep it as succinct as possible and just say “They are young adult novels through and through”.


  • Sparrow Hill Road & Laughter at the Academy

    The first of Seanan McGuire’s Ghost Roads novels is a collection of related stories/songs which were repurposed into four ‘books’. Book 1 is very good, the follow-up is not. Book 3 fluctuates a bit, while the conclusion is abrupt/lacking. It’s interesting… but ends up too uneven to really care about whatever the sequel might contain.

    Laughter at the Academy is somewhat similar in that it’s a collection of stories, but here they’re all quite independent and run the gamut from Wayward Children to Newsflesh. You can see shades of those series, October Daye, the above mentioned Ghost Roads, Indexing, The Deep, and even Middlegame in the large assortment of mostly chapter-sized tales arrayed here.

    Being anthology bait as many of them are don’t expect a consistency of quality, ’cause there isn’t any, but they succeed quite brilliantly in showcasing the range of topics/foci found in the author’s full-sized works. Interestingly, pretty much all of them are ‘dark’ in some manner and one of the stories (The Tolling of Pavlov’s Bells) may as well have been written specifically for the current viral crisis. My only complaint would be that the intermittent/inconsistent introductory trigger warnings lifted from the fanfic community are aggravating to read.


  • The Unkindest Tide & Archangel’s War

    Seanan McQuire’s 13th October Daye novel is meant to conclude one of the series’ long-running plotlines. Instead it comes across more like an intermission. A rather arbitrary one. It does in fact eventually resolve what it set out to, yet the path traveled to get there is just so… random. Meanwhile, the Raj-centric story tacked onto the end is just plain bad.

    Archangel’s War is also meant to be a conclusion, this one to Nalini Singh’s Guild Hunter series (or perhaps just the Cascade-related central plot), and in contrast does the job with full marks. After the way the previous book ended on a cliffhanger I didn’t really know what to expect here and ended up pleasantly surprised by a smooth continuation that manages to wrap up just about every loose end to the point I’d be perfectly content with this as the last book in the series.


  • Middlegame, Siren’s Song, & Honors

    Seanan McGuire‘s Middlegame is a standalone story with no relation to any of her various series. It’s pretty remarkable for framing thematically dark fairy tale prose with time resets more commonly at home in science fiction. I had been avoiding her Wayward Children books, but may have to check them out after all just to see if they happen to resemble this in any way.

    Kristin McTiernan’s Black Magic’s Prey is a very… raw story. It starts out well enough, only to very quickly escalate into magical mind rape, lots of crying, sudden lesbianism, casual racism, razorblade gargling, situational rape, satan worship, and small town vindictiveness. And that’s all just in the first half (a pretty impressive accomplishment considering the book’s only about half the standard length), which is where I had to stop; I’m not keen on continually victimized protagonists and the summary for the followup just raises all sorts of questions I think I’d be better off not knowing the answers to.

    The Honors series is a sci-fi work co-authored by Rachel Caine and Ann Aguirre which (at least initially) brings to mind Aguirre’s earlier Sirantha Jax series. So, it’s more than a little odd that the ‘about the authors’ section make it seem like everything was Caine’s idea while going well out of the way to pretend that series doesn’t exist. Oddity aside, while the first book is quite engaging the second has a completely different atmosphere to it with: A forced focus on social justice issues, a bit of character assassination where the protagonist is concerned, an overall devolvement into battle shounen tropes, and a cliffhanger ending.


  • Thirteenth Child Trilogy & Elise Kova

    Patricia C. Wrede‘s Thirteenth Child trilogy is a very slow burn; don’t go into it expecting a hero’s journey. Instead it’s closer to an alternative history slice of life series, with each book being ~90% focused on the protagonist’s daily interactions/activities and only the last chapter or two providing an opportunity for her to do something that catches everyone’s attention. There are also a number of loose ends relating to the world’s metaphysics and the tendency for a chapter to end with a dire proclamation only to have nothing come of it in the next is a consistent annoyance. Yet despite all that there’s just something about Wrede’s dialog style that makes the journey entertaining enough to forgive the open-ended and somewhat anti-climatic conclusion.

    Elise Kova’s Golden Guard trilogy is less a trilogy and more a loose collection of short stories. The first is a bit of an action-mystery, but besides that is hard to pin down. The second is a painfully generic paranormal romance story minus the paranormal. The third is something of a buddy comedy. All three together are about the size of one normal book and honestly I can’t recommended bothering with them since they add nothing to the sequel.

    That sequel being her previously published Air Awakens series. Interestingly enough the genre here is different from all three of the short stories mentioned above, with this being something of a combination hero’s journey paranormal romance. It starts out slow, picks up in the second book, begins to fall apart in the third, completely falls apart in the fourth, and takes a hard turn into pitch black tragedy in the the fifth: Human mutation, cannibalism, incest, miscarriage, and mental corruption/degradation all make an appearance. Ultimately I can’t recommended this series either due to all the inconsistencies surrounding the protagonist.

    Unrelated to the the two works above (though almost immediately recognizable as from the same author due to the fondness for using names over pronouns), Kova’s Loom Saga is a relatively straightforward paranormal romance story for the most part which quickly brought to mind Lilith Saintcrow’s Dante Valentine series. This series leans more toward steampunk instead of cyberpunk though and takes place in its own fantasy world. While the first book is pretty good and the second is decent, the third comes across as very unfocused and almost offhanded in how everything gets resolved; what ends up most interesting about it is how Arianna ends up ceding the protagonist spot to Florence.


  • First Salik War

    The first part of the prequel trilogy to Jean Johnson’s Theirs Not To Reason Why series will be familiar to returning readers. It’s just as fond of verbose monologues and musings regarding ethics, with the only outliers being the inclusion of a seemingly pointless (beyond straining the ability to suspend disbelief) romance and a strangely heavy focus on Hawaiian culture.

    The second is a disaster: The protagonist morphs into a short-tempered scold, the Terrans reveal themselves to be hypocritical authoritarians, a couple extraneous deus ex machina pop up, and the work as a whole turns out to be a variation of the ‘enlightened foreigner sets out to save ignorant native‘ genre of storytelling with the one unique facet being the exploration of ageism via inconsistently conflating it with (alternately) classism and racism… which is most certainly not a positive. The romance aspects continue to lack any noteworthy purpose.

    There was only one thing in my mind that could possibly save the trilogy’s conclusion, and that was (at the very least) the acknowledgement of the hypocrisy inherent in the Terrans continuously demanding the V’Dan stop treating them like V’Dan when they themselves insist on treating the V’Dan like Terrans. An acknowledgment which unsurprisingly never came. Instead, we get the expected and infuriating result of the V’Dan people being forced to undergo what amounts to a partial lobotomy presented as a justified solution. An ultimately exhausting and ignoble end to what began as an entertaining first contact scenario (though there are a few decent combat scenes in the second half).

    So overall? I can’t suggest bothering with this trilogy unless you’re the type who likes to complain about microaggressions and want something that preaches to the choir with unearned self-righteousness. Anyone else would likely be better off reading through Mass Effect‘s backstory instead.


  • Cast In Oblivion & Guild Hunter #6-11

    The fourteenth entry in Michelle Sagara‘s Elantra series resolves the long-simmering subplot regarding the Barrani’s Test of Name and, far more importantly, gives indication that Kaylin is finally ready to research how to consciously use the powers at her disposal for more than healing. There are many directions the series can go from here, but I hope it continues to advance the ‘main’ storyline involving the Dragon outcast.

    Nalini Singh’s Guild Hunter series is one that I initially loved, but which eventually fell out of favor as the books became more episodic and overly similar to her Psy-Changling series in content. Picking the series back up on a whim turned out to be a good idea:

    • Archangel’s Legion – While the number of sex scenes is certainly overwhelming and/or gratuitous, the character interactions and notable advancement of the central Cascade-related plotline makes it all worthwhile.
    • Archangel’s Shadows – The seventh book slips back into episodic territory… but not completely; though primarily focused on the development of the secondary pairing it does not forget about Elena/Raphael. The number of sex scenes being drastically reduced is a happy bonus.
    • Archangel’s Enigma – Continues the trend of the previous entry fairly seamlessly. It does feel uncomfortably similar to the aforementioned Psy-Changling novels though.
    • Archangel’s Heart – The focus shifts back to Elena/Raphael and the Cascade here, going well out of its way to tie in Elena’s family history. Putting the highly questionable level of contrivance aside the mix of content manages to almost fully recapture the spark of series’ early entries. It unfortunately does nothing to allay my growing concern over the increasing number of lifebond pairings though.
    • Archangel’s Viper – A massive step backward, this book is basically everything that made me drop the series in the first place. Being almost wholly episodic (taking place during the same time period as the previous novel) is bad enough, worse is that the relationship does not develop in even a remotely believable manner. At least the Uram-corruption subplot is finally resolved.
    • Archangel’s Prophecy – Such whiplash. Completely different from Viper, Prophecy goes all-in on the Cascade and ends up perfectly recreating the feeling of Angels’ Blood. I’m now more than a little annoyed the next book won’t be released until September.

  • Magic Triumphs, The Brightest Fell, & Night and Silence

    The long-running plotline regarding Kate’s father is brought to something of a close in Magic Triumphs, which begins following a pair of large time skips (a nearly 2-year gap which will presumably be somewhat filled in by the remaining two parts of the Iron Covenant trilogy). Unfortunately, rather than Roland, it instead focuses far more on the Iron Covenant antagonists and for the most reads as little more than a string of exasperating deus ex machina.

    Seanan Mcguire’s eleventh October Daye novel comes very close to reinterpreting the ‘it was all a dream’ trope. While not bad, there’s not much in the way of forward momentum and it seems very much like it’s setting the story up to retread old ground. The included bonus novella is quite good though and wraps up the remaining loose thread from A Local Habitation.

    The follow-up twelfth installment, Night and Silence, does in fact retread old ground… though not at all in the manner I was expecting. It appears to be the start of a ‘third act’ of sorts and leads with about two chapters worth of recap. Then, much like Magic Triumphs above, starts linking together a bunch of highly questionable events that (while they certainly do have forward momentum) don’t really feel believable in the slightest. The bonus novella here isn’t as good as the previous one either and bizarrely enough actually goes and recaps something from its host novel. Just baffling.


  • Zombie’s Bite, Lover’s Knot, & Shadow’s Bane

    At first, while reading Karen Chance’s Zombie’s Bite novella, I was completely lost and feared I had forgotten everything about the franchise in the intervening years since having read the third book in this series. As it progressed however bits and pieces started coming back and I realized it’s actually a prequel that details Dorina and Marlowe’s first meeting. Once that was established it became decent enough.

    Lover’s Knot is another Midnight’s Daughter novella, this one taking place between the series’ third and fourth books. It tells two stories, one in the present and one in the past centered on Mircea, both of which are connected by the same phenomenon. Despite also involving Marlowe, it ends up much better and easier to follow than the previous novella.

    I was soon lost again after starting Shadow’s Bane, the fourth full novel in the series, as I had completely forgotten how fae-centric as opposed to vampire-centric the focus had become. This particular entry has three main plot lines: The central external threat which is broken up into past/present segments identical to Lover’s Knot, resolving the issue of Dorina’s split personality, and advancing her relationship with Louise-Cesare. And while I could do without the incredible character overload, amazingly enough it manages to both juggle and resolve all those plotlines while never feeling rushed or incoherent. That said… I’m not sure I’ll pick up a potential 5th installment, as it only seems the number of house-guests will continue to grow unchecked.