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  • The Unkindest Tide & Archangel’s War

    Seanan McQuire’s 13th October Daye novel is meant to conclude one of the series’ long-running plotlines. Instead it comes across more like an intermission. A rather arbitrary one. It does in fact eventually resolve what it set out to, yet the path traveled to get there is just so… random. Meanwhile, the Raj-centric story tacked onto the end is just plain bad.

    Archangel’s War is also meant to be a conclusion, this one to Nalini Singh’s Guild Hunter series (or perhaps just the Cascade-related central plot), and in contrast does the job with full marks. After the way the previous book ended on a cliffhanger I didn’t really know what to expect here and ended up pleasantly surprised by a smooth continuation that manages to wrap up just about every loose end to the point I’d be perfectly content with this as the last book in the series.


  • Middlegame, Siren’s Song, & Honors

    Seanan McGuire‘s Middlegame is a standalone story with no relation to any of her various series. It’s pretty remarkable for framing thematically dark fairy tale prose with time resets more commonly at home in science fiction. I had been avoiding her Wayward Children books, but may have to check them out after all just to see if they happen to resemble this in any way.

    Kristin McTiernan’s Black Magic’s Prey is a very… raw story. It starts out well enough, only to very quickly escalate into magical mind rape, lots of crying, sudden lesbianism, casual racism, razorblade gargling, situational rape, satan worship, and small town vindictiveness. And that’s all just in the first half (a pretty impressive accomplishment considering the book’s only about half the standard length), which is where I had to stop; I’m not keen on continually victimized protagonists and the summary for the followup just raises all sorts of questions I think I’d be better off not knowing the answers to.

    The Honors series is a sci-fi work co-authored by Rachel Caine and Ann Aguirre which (at least initially) brings to mind Aguirre’s earlier Sirantha Jax series. So, it’s more than a little odd that the ‘about the authors’ section make it seem like everything was Caine’s idea while going well out of the way to pretend that series doesn’t exist. Oddity aside, while the first book is quite engaging the second has a completely different atmosphere to it with: A forced focus on social justice issues, a bit of character assassination where the protagonist is concerned, an overall devolvement into battle shounen tropes, and a cliffhanger ending.


  • Thirteenth Child Trilogy & Elise Kova

    Patricia C. Wrede‘s Thirteenth Child trilogy is a very slow burn; don’t go into it expecting a hero’s journey. Instead it’s closer to an alternative history slice of life series, with each book being ~90% focused on the protagonist’s daily interactions/activities and only the last chapter or two providing an opportunity for her to do something that catches everyone’s attention. There are also a number of loose ends relating to the world’s metaphysics and the tendency for a chapter to end with a dire proclamation only to have nothing come of it in the next is a consistent annoyance. Yet despite all that there’s just something about Wrede’s dialog style that makes the journey entertaining enough to forgive the open-ended and somewhat anti-climatic conclusion.

    Elise Kova’s Golden Guard trilogy is less a trilogy and more a loose collection of short stories. The first is a bit of an action-mystery, but besides that is hard to pin down. The second is a painfully generic paranormal romance story minus the paranormal. The third is something of a buddy comedy. All three together are about the size of one normal book and honestly I can’t recommended bothering with them since they add nothing to the sequel.

    That sequel being her previously published Air Awakens series. Interestingly enough the genre here is different from all three of the short stories mentioned above, with this being something of a combination hero’s journey paranormal romance. It starts out slow, picks up in the second book, begins to fall apart in the third, completely falls apart in the fourth, and takes a hard turn into pitch black tragedy in the the fifth: Human mutation, cannibalism, incest, miscarriage, and mental corruption/degradation all make an appearance. Ultimately I can’t recommended this series either due to all the inconsistencies surrounding the protagonist.

    Unrelated to the the two works above (though almost immediately recognizable as from the same author due to the fondness for using names over pronouns), Kova’s Loom Saga is a relatively straightforward paranormal romance story for the most part which quickly brought to mind Lilith Saintcrow’s Dante Valentine series. This series leans more toward steampunk instead of cyberpunk though and takes place in its own fantasy world. While the first book is pretty good and the second is decent, the third comes across as very unfocused and almost offhanded in how everything gets resolved; what ends up most interesting about it is how Arianna ends up ceding the protagonist spot to Florence.


  • First Salik War

    The first part of the prequel trilogy to Jean Johnson’s Theirs Not To Reason Why series will be familiar to returning readers. It’s just as fond of verbose monologues and musings regarding ethics, with the only outliers being the inclusion of a seemingly pointless (beyond straining the ability to suspend disbelief) romance and a strangely heavy focus on Hawaiian culture.

    The second is a disaster: The protagonist morphs into a short-tempered scold, the Terrans reveal themselves to be hypocritical authoritarians, a couple extraneous deus ex machina pop up, and the work as a whole turns out to be a variation of the ‘enlightened foreigner sets out to save ignorant native‘ genre of storytelling with the one unique facet being the exploration of ageism via inconsistently conflating it with (alternately) classism and racism… which is most certainly not a positive. The romance aspects continue to lack any noteworthy purpose.

    There was only one thing in my mind that could possibly save the trilogy’s conclusion, and that was (at the very least) the acknowledgement of the hypocrisy inherent in the Terrans continuously demanding the V’Dan stop treating them like V’Dan when they themselves insist on treating the V’Dan like Terrans. An acknowledgment which unsurprisingly never came. Instead, we get the expected and infuriating result of the V’Dan people being forced to undergo what amounts to a partial lobotomy presented as a justified solution. An ultimately exhausting and ignoble end to what began as an entertaining first contact scenario (though there are a few decent combat scenes in the second half).

    So overall? I can’t suggest bothering with this trilogy unless you’re the type who likes to complain about microaggressions and want something that preaches to the choir with unearned self-righteousness. Anyone else would likely be better off reading through Mass Effect‘s backstory instead.


  • Cast In Oblivion & Guild Hunter #6-11

    The fourteenth entry in Michelle Sagara‘s Elantra series resolves the long-simmering subplot regarding the Barrani’s Test of Name and, far more importantly, gives indication that Kaylin is finally ready to research how to consciously use the powers at her disposal for more than healing. There are many directions the series can go from here, but I hope it continues to advance the ‘main’ storyline involving the Dragon outcast.

    Nalini Singh’s Guild Hunter series is one that I initially loved, but which eventually fell out of favor as the books became more episodic and overly similar to her Psy-Changling series in content. Picking the series back up on a whim turned out to be a good idea:

    • Archangel’s Legion – While the number of sex scenes is certainly overwhelming and/or gratuitous, the character interactions and notable advancement of the central Cascade-related plotline makes it all worthwhile.
    • Archangel’s Shadows – The seventh book slips back into episodic territory… but not completely; though primarily focused on the development of the secondary pairing it does not forget about Elena/Raphael. The number of sex scenes being drastically reduced is a happy bonus.
    • Archangel’s Enigma – Continues the trend of the previous entry fairly seamlessly. It does feel uncomfortably similar to the aforementioned Psy-Changling novels though.
    • Archangel’s Heart – The focus shifts back to Elena/Raphael and the Cascade here, going well out of its way to tie in Elena’s family history. Putting the highly questionable level of contrivance aside the mix of content manages to almost fully recapture the spark of series’ early entries. It unfortunately does nothing to allay my growing concern over the increasing number of lifebond pairings though.
    • Archangel’s Viper – A massive step backward, this book is basically everything that made me drop the series in the first place. Being almost wholly episodic (taking place during the same time period as the previous novel) is bad enough, worse is that the relationship does not develop in even a remotely believable manner. At least the Uram-corruption subplot is finally resolved.
    • Archangel’s Prophecy – Such whiplash. Completely different from Viper, Prophecy goes all-in on the Cascade and ends up perfectly recreating the feeling of Angels’ Blood. I’m now more than a little annoyed the next book won’t be released until September.

  • Magic Triumphs, The Brightest Fell, & Night and Silence

    The long-running plotline regarding Kate’s father is brought to something of a close in Magic Triumphs, which begins following a pair of large time skips (a nearly 2-year gap which will presumably be somewhat filled in by the remaining two parts of the Iron Covenant trilogy). Unfortunately, rather than Roland, it instead focuses far more on the Iron Covenant antagonists and for the most reads as little more than a string of exasperating deus ex machina.

    Seanan Mcguire’s eleventh October Daye novel comes very close to reinterpreting the ‘it was all a dream’ trope. While not bad, there’s not much in the way of forward momentum and it seems very much like it’s setting the story up to retread old ground. The included bonus novella is quite good though and wraps up the remaining loose thread from A Local Habitation.

    The follow-up twelfth installment, Night and Silence, does in fact retread old ground… though not at all in the manner I was expecting. It appears to be the start of a ‘third act’ of sorts and leads with about two chapters worth of recap. Then, much like Magic Triumphs above, starts linking together a bunch of highly questionable events that (while they certainly do have forward momentum) don’t really feel believable in the slightest. The bonus novella here isn’t as good as the previous one either and bizarrely enough actually goes and recaps something from its host novel. Just baffling.


  • Zombie’s Bite, Lover’s Knot, & Shadow’s Bane

    At first, while reading Karen Chance’s Zombie’s Bite novella, I was completely lost and feared I had forgotten everything about the franchise in the intervening years since having read the third book in this series. As it progressed however bits and pieces started coming back and I realized it’s actually a prequel that details Dorina and Marlowe’s first meeting. Once that was established it became decent enough.

    Lover’s Knot is another Midnight’s Daughter novella, this one taking place between the series’ third and fourth books. It tells two stories, one in the present and one in the past centered on Mircea, both of which are connected by the same phenomenon. Despite also involving Marlowe, it ends up much better and easier to follow than the previous novella.

    I was soon lost again after starting Shadow’s Bane, the fourth full novel in the series, as I had completely forgotten how fae-centric as opposed to vampire-centric the focus had become. This particular entry has three main plot lines: The central external threat which is broken up into past/present segments identical to Lover’s Knot, resolving the issue of Dorina’s split personality, and advancing her relationship with Louise-Cesare. And while I could do without the incredible character overload, amazingly enough it manages to both juggle and resolve all those plotlines while never feeling rushed or incoherent. That said… I’m not sure I’ll pick up a potential 5th installment, as it only seems the number of house-guests will continue to grow unchecked.


  • Rolling in the Deep & Into the Drowning Deep

    Seanan McGuire‘s Rolling in the Deep is basically a found-footage horror B-movie in novella format. You already know the end result from the very start so what stands out is the lead-up; the anticipation of ‘how’. And, unfortunately, like quite a number of stories in this genre the ultimate reveal is the part that’s lacking. Other issues would be the token deaf guy, the sudden comic-relief-like shift to the aggressors’ perspective, and the way the mermaid performers die so nonsensically.

    The follow-up to the above is Into the Drowning Deep, a full-sized novel which does not require having read Rolling. This is much, much better in practically all respects with the only real issues being the strange behavior of the captive and the inclusion, once again, of what appears to be token deaf characters (though to be fair, their presence here at least has some plausibility to it). The ending is also pretty open.


  • Rise: A Newsflesh Collection

    This is a collection of short stories and novellas which take place in Seanan McGuire’s Newsflesh universe. Some deal with events that occurred before the main trilogy, some take place afterward, and a few of them I’ve written about before (though that post was lost in the first accidental site-wipe).

    The first three stories are ones I had read before and cover the events of the Rising. Countdown is structured a bit like World War Z, Everglades is both extremely short and extremely bleak, and San Diego 2014 tells the emotional tale of the doomed final ComicCon attendees.

    How Green This Land, How Blue This Sea is fairly lengthy, taking place after the trilogy and revealing some of what’s been going on in Australia. It’s a solid all-around continuation to the series that fits in pretty well with what came before despite the somewhat severe thematic shift and abrupt ending.

    The Day the Dead Came to Show and Tell is mostly set during the transitory period when the school system was still adapting to the new reality of zombie outbreaks; it’s heavily weighted toward the topic of security theater and can become a bit heavy-handed at times. Meanwhile, Please Do Not Taunt the Octopus is a much more lighthearted tale (which is not to say it isn’t dark, because it is) that once again shifts the timeframe to post-trilogy and provides some closure to the previous story. It’s kind of exposition-heavy in the beginning and doesn’t really add much though.

    All the Pretty Little Horses and Coming to You Live are the only non-reprints in this collection. The former is again pre-trilogy (shedding some light on how Shaun and George’s parents ended up so mercantile) while the latter is post-trilogy, taking place after the earlier ones and expanding on the brief concern regarding the unknowns surrounding cloning technology that was brought up in How Green This Land. Though the first does a good job of filling that particular timegap, albeit unnecessarily, the second is pretty much completely unnecessary in all respects… which is not to say that it’s entirely unwelcome.


  • Iron and Magic, The Ripper Affair, & The Chemist

    Iron and Magic is the first of a new trilogy set within Ilona Andrews’ Kate Daniels universe. It always seemed strange that Hugh disappeared from the series so indirectly so it makes a certain degree of sense that he’d be spun off into a sidestory (taking place between Magic Binds and Magic Triumphs), but while I like the expanded world-building I can’t say that his personality overhaul into a more relatable protagonist is sold well at all. The romance is also an issue (it feels very much like a re-hash of Curran/Kate) and the story probably would have been better without it.

    The conclusion to Lilith Saintcrow‘s Bannon and Clare series does the reader a bit of a favor by picking up after an indeterminable time skip; whether you read it immediately following the second or years after you’ll be just as lost getting a handle on the new situation. Overall it holds up well however and so long as you liked the earlier books in the series there’s no reason not to pick this up one up as well.

    Stephenie’s Meyer‘s The Chemist, sadly, does not hold up in any respect. It’s a major step backward from The Host, with some severe believably and structural issues which unfortunately remind me of The Drafter. On the plus side at least the epilogue is amusing and it’s nice that she didn’t go for the cheap love triangle angle.