• Tag Archives Paranormal Romance
  • Tempt the Stars, Omens, & Parasite

    The sixth book in Karen Chance‘s Cassandra Palmer series is a lot like the previous entries, so you should basically know what to expect. Its three notable features are exploring the hell dimensions a bit, introducing the Covens and touching on the Pythia’s court, and giving practically no page-time to Mircea (focusing instead on Pritkin and retrieving him from his father).

    Kelley Armstrong‘s new series (Cainsville) begins with a fairly infuriating opening segment showcasing the horrors of unwarranted tabloid-fueled reputation assassination. Once it gets past that setup and arrives in the town of Cainsville things begin to get quite good indeed. The supernatural aspects start off mostly subdued and only gradually begin to make their presence known, which works fantastically. And the variety of supernaturals being dealt with here? It’s not explicitly stated, but seems to be a combination of inherent psychic abilities with some Fae thrown in for good measure.

    Parasite is the first novel in Mira Grant’s (Seanan McGuire‘s) new Parasitology series. It’s something of a combination between the renegade scientist parts of her Newsflesh trilogy and Stephenie Meyer’s The Host. It’s a little shaky due to both the characters’ tendency to monologue exposition at you and the awkwardness inherent in the protagonist not being legally in control of her life. I’m also not sure if the reveal just before the “to be continued” is supposed to be a surprise or not; it’s telegraphed so heavily that it ends up rather anticlimactic.


  • Karen Chance Novellas

    There are several free novellas that take place in the Cassandra Palmer universe available on Karen Chance’s homepage:

    The Gauntlet – Set long before the series proper starts this focuses on a young Kit Marlowe and some witches who don’t show up in the series until the sixth book (or if they do show up earlier I don’t recall them). It’s pretty good.

    The Queen’s Witch – The sequel to the above; is also pretty good if you don’t mind the spontaneous attraction between the main characters.

    The House at Cobb End – Focusing on Pritkin and also taking place before the parent series this is a very interesting short story about the origins of his house. A house that I cannot for the life of me recall appearing in the main books.

    The Day of the Dead – This focuses on a character I do not remember ever seeing before (Thomas), though I do remember the main antagonist (Alejandro) getting mentioned in passing a few times. The story is okay… if a bit random and not particularly engaging.

    In Vino Veritas – Part of the Dorina Basarab spin-off, this feels more like a low quality fanfiction than an author addition. That it was originally published in an anthology explains this to an extent; anthology entries have the disturbing tendency to be vastly inferior to their parent series.

    A Family Affair – Set between books four and five of the Cassandra Palmer series and featuring Pritkin, Rosier, Casanova, and Cassie this deals with a trip through one of the hell dimensions. It’s a solid story that ends up referenced a bit in the sixth book.

    Shadowland – A sequel to A Family Affair, this features most of the same characters. It’s more or less on par with the prequel, with the exception that the opening scene told from Pritkin’s point of view feels completely out of character.


  • Recent Books

    Normally I do these three at a time… but, well…

    Cast in Sorrow (Michelle Sagara) – Completes the storyline started in Cast in Peril. I’m indifferent toward it. While on the one hand there’s some tangible progress on the Barrani front, on the other the general style and plot developments are starting to seriously trend into the abstract and hand-wavy. It’s hard to read some of it without feeling a deep sense of skepticism. Aside: For some strange reason I picture the Barrani as being similar to The Last Remnant‘s Sovani.

    Chimes at Midnight (Seanan McGuire) – Not much to say about this really other than it’s just as good as the earlier October Daye novels. Well, one more thing: It seems to mark the beginning of shifting the overarching background conflict into the foreground.

    Ritual Magic (Eileen Wilks) – It’s fairly amazing that this series continues to avoid the various and sundry paranormal romance pitfalls. Picking up right where Mortal Ties left off, it ends with what looks to be a good point to switch over to a different set of protagonists for a bit.

    Steelheart (Brandon Sanderson) – The setting for this novel is very good and having a protagonist that seems to have either asperger’s or autism is an interesting choice. Unfortunately, those are the only things I can praise about it since the general character behavior and plot developments seem ripped right out of a summer blockbuster. It all feels so artificial.

    Perdition (Ann Aguirre) – This beginning of a new series set in the Sirantha Jax universe is, for the most part, very engaging indeed. The only area in which it slips up a bit is the romance aspect. The relationship seems a little forced and does not feel quite natural. That said, it’s certainly not as bad as what you’d find in a generic romance novel.

    Dancing with the Devil (Keri Arthur) – Speaking of generic romance novels…. I ordered the first three books in this series blind due to what I’m going to chalk up to sudden insanity. For some reason I thought this might be more like Arthur’s Myth and Magic series then her Riley Jenson/Dark Angels series. Again, no clue why I thought that, but this book is as generic paranormal romance as you can get.

    Hearts in Darkness (Keri Arthur) – The first entry in this series is merely generic; this one is downright painful. Not only is the most by-the-numbers example of a paranormal romance still present and as vaguely embarrassing as ever, signs of power-level creep start to appear alongside a dash of internal inconsistency.

    Chasing the Shadows (Keri Arthur) – While for the most part just as unpleasant to read as the second book, this does take an unexpected turn toward the end. The ‘good guys’ actually losing is a very rare thing to see in this sort of novel. Of course, considering the new suite of powers Nikki gains here that loss may end up being not much of a loss at all in the long run.


  • Magic Rises & Theirs Not To Reason Why

    The seventh book in Ilona Andrews’ Kate Daniels series (assuming you include Gunmetal Magic) deals primarily with Hugh d’Ambray and has a small side-focus on some of the Shapeshifters in Europe. While the basic situation and various plot/romantic developments come across as rather contrived, the general feel of the book is similar enough that it ends up enjoyable regardless. The one-liners help.

    The Theirs Not to Reason Why series (A Soldier’s Duty, An Officer’s Duty, Hellfire), authored by Jean Johnson, has an uncommon central concept and an expansive setting. The story centers around an extremely powerful psychic (capable of seeing the entirety of the past, present, future, and all of the alternate realities thereof) who upon discovering that the universe will be completely destroyed by an overwhelming outside force sets her life upon the one narrow path that can lead to the avoidance of that fate.

    Despite being so heavily focused on predestination and following a painstakingly exact schedule, the first two books do not come across as contrived or feel particularly forced. Which is impressive. The third book on the other hand does not quite manage that feat. It has a couple of moments here and there that manage to feel organic, but the majority comes across as a dictated compilation of deus ex machina. That’s not to say its bad or unreadable, it’s just not as engrossing as the first two.


  • Of Shadow Born, Blood Before Sunrise, & Crave the Darkness

    Of Shadow Born is Dianne Sylvan‘s fourth Shadow World novel. Despite how overpowered its protagonists are, and despite the introduction of gods, elves, and grand designs in this particular entry, I enjoy this series quite a bit. There’s just something remarkably relatable about its characters’ personalities.

    Amanda Bonilla‘s second Shaede Assassin novel, Blood Before Sunrise, unfortunately does not share this trait. The opposite actually. Most of the character personalities in here are flat-out awful, the centerpiece being the protagonist herself. Not only is she completely lacking any sort of common sense or reasoning ability (which is particularly hard to swallow considering she’s supposed to be a century-old assassin), her combat abilities have spontaneously regressed to the point where she’s nearly helpless without assistance.

    Crave the Darkness is the follow-up to Blood Before Sunrise, which I only ended up reading since I ordered them both at the same time. In a way this turned out to be a beneficial development, as this third book is notably better. Not quite good mind you, as there are still lots of character-personality issues, but decent enough that I don’t regret ordering/reading it. That said… I don’t think I’ll be following this series any further. While Darian’s competence issues have mostly been cleared up here and Raif is perfectly fine, neither of the two love interests is particularly likeable (one is narcissistic and manipulative while the other is extremely over-protective) and it doesn’t seem as though their parts are going to shrink any time soon.


  • Divergent, Silver Shark, & The Damnation Affair

    The first two books in Veronica Roth‘s Divergent series (Divergent & Insurgent) are an interesting window into an attempted utopian community that ends up dystopian in the extreme. You can clearly see both the good intentions behind the society’s structure as well as all of the myriad ways that they can (and do) get corrupted and ultimately fail. So; so far so good. Hopefully the areas outside the city limits (which the third book will presumably focus on to some extent) will end up just as believable as the city itself.

    Silver Shark is a short novella by Ilona Andrews set in the Kinsmen universe. As with Silent Blade this story has a wonderfully detailed background setting that you really wish you could spend more time in. Where that lack of time really hurts though is in the romance arc, which ends up feeling incredibly contrived/rushed.

    Lilith Saintcrow’s The Damnation Affair supposedly takes place in the Bannon and Clare universe. To me, it did not feel even the slightest bit attached to that series… and it’s not just the genre switch from Steampunk to Western either; the supernatural bits seemed to work completely differently. Putting that aside, I didn’t like this story for two reasons. The first is that it turns out I strongly, strongly dislike ‘cowboy talk’ while the second is that the female protagonist is extraordinarily strong-headed while lacking any real power or skill to back it up. While not exactly helpless, against what this book throws at her she may as well be.


  • Frost Burned, Touch of the Demon, & The Infernal Devices

    Frost Burned is the seventh novel in Patricia Briggs’ Mercy Thompson series. It feels phoned-in. Lifeless. Artificial. Once Mercy and Adam finally got together the series probably should have either ended or switched focus onto different characters (though the latter would be rather difficult given the series’ title). As it is, there doesn’t seem to be anything of particular interest left to explore here that can’t be done in the Alpha and Omega series.

    Diana Roland‘s Kara Gillian series has never been one of my favorites. It was always more of a last-resort time-sink than something I looked forward to reading. That said I didn’t really dislike it either… until Touch of the Demon. The first segment is perfectly fine for the most part, but following the sigil carving scene (a high point in a number of ways) the dialog and most of the character interactions go right downhill and into the gutter.

    The Infernal Devices is a steampunkish trilogy (Clockwork Angel, Clockwork Prince, & Clockwork Princess) set in Cassandra Clare‘s Mortal Instruments universe, many years before that series takes place. There are quite a number of similarities between the two. In some cases that could be seen as a negative, but in this instance at least the similarities are welcome (the main one that isn’t is the tendency for those in power to be corrupt/treasonous). In any case, if you liked The Mortal Instruments you’ll almost certainly like this.


  • Steel’s Edge, Undead to the World, & Lesser Evils

    Ilona Andrews‘ fourth Edge novel is allegedly the last centered on this particular cast of characters and it does a very good job wrapping up the loose ends from the previous two books. Namely Lark’s mental trauma and the mystery of where Rose’s father disappeared to. I think it may be my favorite out of the four, mainly because of the protagonist’s (a fallen healer) personality.

    Don DeBrandt’s Bloodhound Files series (as DD Barant) is unique among the multiple series I read in that I undoubtedly enjoy it while reading it, but somehow manage to forget nearly everything that had occurred in earlier books by the time the next installment arrives. This sixth book is no different, as despite my confusion in regards to what was going on (particularly acute as this one takes place in an alternate dimension) it ended up enjoyable anyway. The cliffhanger ending though? Not so much.

    The second of Erin M. EvansBrimstone Angels novels is interesting for feeling less like a story and more like a window into its characters’ lives. The series of events has a surprisingly natural flow to it and the only part that really feels contrived is Rhand’s interest in Farideh.