• Tag Archives Romance
  • Saber Marionette J

    A colony ship has an accident in orbit over a remote planet and six men are the only survivors. Now, 300 years later, an all-male society consisting of six different countries has been established through the use of cloning technology. On this world with no women, androids called Marionettes have been fashioned in their likeness to fill various menial and combat roles. One morning a young man named Otaru accidentally awakens a powerful combat Marionette with the rare ability to feel and express human emotions, a fortunate development considering that one of the descendants of those six men has just begun a campaign of conquest.

    While this show shares a few setting and character details with Saber Marionette R, in most respects it’s completely different. Rather than being a drama with little in the way of romantic elements, it’s instead a slapstick comedy featuring standard harem-style hijinks with only tertiary dramatic aspects.

    More Information:
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    Wikipedia

    Continue reading  Post ID 1900


  • Saenai Heroine no Sodatekata

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    Tomoya Aki is a well known otaku blogger who covers Anime, LNs, and VNs. One day he’s struck by the sight of a girl on a hill and becomes obsessed with the idea of creating his own VN based on that experience. He lacks the skills to do it on his own though and so sets out to recruit two old acquaintances (a doujin artist and a novelist), running into the mystery girl from before in the process. Can the four of them work together to create a game?

    A fully self-aware romantic comedy whose first episode, labeled “Episode 0”, takes place at the very end of the series. Unlike many harem comedies this one focuses primarily on reaction and dialog-based humor instead of ecchi comedy. It does still have a notable amount of ecchi however.

    More Information:
    Amazon
    aniDB
    Crunchyroll
    Fansub.co
    Wikipedia

    Continue reading  Post ID 1900


  • Yahari Ore no Seishun Lovecome wa Machigatte Iru.: Oshatou to Spice

    yahari-ore-ova-title

    Hachiman goes on a ‘date’ with Iroha to research date locations. Later on, Yukino and Yui go out with Hachiman to the same area.

    This is a side-story for the parent seriessecond season. It’s primarily focused on reaction comedy though, so you may be able to watch it even if you haven’t seen that (to decide whether or not you want to).

    More Information:
    aniDB

    Continue reading  Post ID 1900


  • orange

    orange-title

    A story of regrets and second chances. The protagonist receives a letter from her future self, on the first day of the second year of high school, detailing events that will soon occur and the choices she made at the time which in retrospect feel like mistakes. The letter implores her to not repeat them.

    The time travel aspect is essentially just a gimmick, a bit of flair to make the show stand out. For the most part it’s a normal, realism-styled school life drama/romance that takes the uncommon step of dedicating a portion of each episode to showing how its characters (may have) ended up a decade later.

    More Information:
    aniDB
    Crunchyroll
    Fansub.co
    Wikipedia

    Continue reading  Post ID 1900


  • Netoge no Yome wa Onnanoko ja Nai to Omotta?

    ecchihiro_netoge_no_yome_wa_onnanoko_ja_nai_to_omotta_-_04_720p_hi10p_aac62f9c162-mkv_snapshot_03-00_2016-10-10_09-59-20

    An MMO-playing otaku finds out that his online wife (Ako), who’s not a very good player, is a socially awkward girl in real life who can’t separate online fantasy from offline reality. Not only that, she and the other two members of his guild all turn out to attend the same school he does. Together they try to both improve Ako’s skills in game and help her separate fantasy from reality.

    The show alternates between virtual reality settings (primarily fantasy), depicting the characters’ online gaming adventures, and a modern day school setting. The comedic setup isn’t much different from an ecchi harem at the base level, the main difference being that only one of the girls is pursuing the male protagonist.

    More Information:
    aniDB
    Fansub.co
    Funimation
    Wikipedia

    Continue reading  Post ID 1900


  • Relatively Recent Books

    Been procrastinating with adding these because it’s a pain. May as well get it over with now:

    • Sealed with a Curse (Cecy Robson) – Real bad. Basically all the worst Urban Fantasy and Paranormal Romance tropes/stereotypes mashed together. One of the characters having a surfer-dude accent for whateverthehell reason just made it all the more aggravating.
    • Allegiant (Veronica Roth) – Honestly, it’s been so long since I read this that my only recollection is liking how Tris’ story turned out while disliking the somewhat circular nature of the plot developments.
    • The Razorland Trilogy (Ann Aguirre) – The first book starts out good but seems to lose its way toward the end when the protagonists start picking up party members like a RPG. The second shifts between being interesting and being annoying (the latter mostly caused by the whole gender roles focus), and the third is readable enough even though it wraps everything up a little too neatly.
    • Red Delicious (Caitlín R. Kiernan) – Usually when people dislike something, they’ll just make a blog/forum post about it. Kiernan (as Kathleen Tierney) goes the extra mile and writes a book about it. This reads like an open letter regarding all the sorts of books/genres and literary criticisms she hates and frankly just comes across as rather sad posturing.
    • Wild Justice (Kelley Armstrong) – Fairly interesting continuation of the Nadia Stafford series that focuses on both Nadia’s past and her current relationship with Jack. There are a few things off about the ending stretch that sort of dull its sheen though.
    • The Undead Pool (Kim Harrison) – A more or less solid continuation of the series focused on vampires, elves, and Trent/Rachel’s relationship.

  • Tempt the Stars, Omens, & Parasite

    The sixth book in Karen Chance‘s Cassandra Palmer series is a lot like the previous entries, so you should basically know what to expect. Its three notable features are exploring the hell dimensions a bit, introducing the Covens and touching on the Pythia’s court, and giving practically no page-time to Mircea (focusing instead on Pritkin and retrieving him from his father).

    Kelley Armstrong‘s new series (Cainsville) begins with a fairly infuriating opening segment showcasing the horrors of unwarranted tabloid-fueled reputation assassination. Once it gets past that setup and arrives in the town of Cainsville things begin to get quite good indeed. The supernatural aspects start off mostly subdued and only gradually begin to make their presence known, which works fantastically. And the variety of supernaturals being dealt with here? It’s not explicitly stated, but seems to be a combination of inherent psychic abilities with some Fae thrown in for good measure.

    Parasite is the first novel in Mira Grant’s (Seanan McGuire‘s) new Parasitology series. It’s something of a combination between the renegade scientist parts of her Newsflesh trilogy and Stephenie Meyer’s The Host. It’s a little shaky due to both the characters’ tendency to monologue exposition at you and the awkwardness inherent in the protagonist not being legally in control of her life. I’m also not sure if the reveal just before the “to be continued” is supposed to be a surprise or not; it’s telegraphed so heavily that it ends up rather anticlimactic.


  • To Die; Selena Alvarez/Regan Pescoli

    This series by Lisa Jackson starts out intriguing, if busy, and becomes rather rote and familiar before long.

    Left To Die kicks things off with what amounts to two separate stories stapled together, one better than the other. There is a lot going on here. Most of it is good, but a significant portion starts trending toward the ridiculous and before long you may end up finding yourself wondering exactly what you’re reading. It also ends on a cliff-hanger which Chosen to Die picks up shortly after. Chosen ends up much better than Left for two reasons; it’s much more focused and the romance aspects are nowhere near as ill-fitting.

    That’s not to say it’s perfect however, as it does still contain a couple of extraordinarily improbable events. Which brings me to the main issue I had with this series as a whole. The central ‘problem’, as it were, is that the plot developments in these books are actually less realistic than the fantasy/urban fantasy books I normally read. This came as a shock initially, but after some thought it makes sense; since fantasy uses up most of the audience’s suspension of disbelief on its universe mechanics it doesn’t have anywhere near as much wiggle-room in the plot and character behavior departments.

    Born to Die continues the twin themes of serial killers and spontaneous romance. It’s more or less on par with Chosen, with its oddly convenient plot developments staying fairly subdued for the most part and the romance at least making an attempt to blend into the overall picture. Afraid to Die is where things become to get overly fabricated, essentially eviscerating most of what makes Alvarez a semi-interesting character. Followed up as it is by Ready To Die, which is practically dripping with melodrama and contrivance, results in a one-two punch that effectively kills any further potential this series may have had.

    I think I’ll just stick with fantasy from here-on out. Fantastical settings and abilities are much easier to deal with than fantastical plot developments and character behavior.


  • Possession, Twisted, & Exposed

    Possession is the eighth installment in Kat Richardson’s Greywalker series. After the reading sixth book, Downpour, I wasn’t planning on continuing this series… then Sea Witch arrived out of nowhere (apparently I blindly pre-ordered it) and it was enjoyable enough to reverse that decision. This one is much more like Downpour than Sea Witch; dry, not very interesting, and fairly detached. It feels more like reading a history student’s dissertation than a fantasy novel.

    I picked up two of Laura Griffin‘s Tracers novels basically on a whim, hoping a change from the urban fantasy genre might open up some new avenues. Sadly, both of these books (Twisted, Exposed) are structured remarkably similar to your generic one-shot paranormal romance novel. I was getting flashbacks to Gena Showalter‘s novels while reading them, and that’s not really a good thing if you’re looking for something on the realistic side.

    If you just want some spontaneous/forced romance (Twisted‘s isn’t as bad as Exposed‘s in this regard) tinged with a bit of excitement though, in the form of racing against the clock to stop a killer, then these books are pretty good at delivering just that.


  • Divergent, Silver Shark, & The Damnation Affair

    The first two books in Veronica Roth‘s Divergent series (Divergent & Insurgent) are an interesting window into an attempted utopian community that ends up dystopian in the extreme. You can clearly see both the good intentions behind the society’s structure as well as all of the myriad ways that they can (and do) get corrupted and ultimately fail. So; so far so good. Hopefully the areas outside the city limits (which the third book will presumably focus on to some extent) will end up just as believable as the city itself.

    Silver Shark is a short novella by Ilona Andrews set in the Kinsmen universe. As with Silent Blade this story has a wonderfully detailed background setting that you really wish you could spend more time in. Where that lack of time really hurts though is in the romance arc, which ends up feeling incredibly contrived/rushed.

    Lilith Saintcrow’s The Damnation Affair supposedly takes place in the Bannon and Clare universe. To me, it did not feel even the slightest bit attached to that series… and it’s not just the genre switch from Steampunk to Western either; the supernatural bits seemed to work completely differently. Putting that aside, I didn’t like this story for two reasons. The first is that it turns out I strongly, strongly dislike ‘cowboy talk’ while the second is that the female protagonist is extraordinarily strong-headed while lacking any real power or skill to back it up. While not exactly helpless, against what this book throws at her she may as well be.