• Tag Archives Seanan McGuire
  • Rise: A Newsflesh Collection

    This is a collection of short stories and novellas which take place in Seanan McGuire’s Newsflesh universe. Some deal with events that occurred before the main trilogy, some take place afterward, and a few of them I’ve written about before (though that post was lost in the first accidental site-wipe).

    The first three stories are ones I had read before and cover the events of the Rising. Countdown is structured a bit like World War Z, Everglades is both extremely short and extremely bleak, and San Diego 2014 tells the emotional tale of the doomed final ComicCon attendees.

    How Green This Land, How Blue This Sea is fairly lengthy, taking place after the trilogy and revealing some of what’s been going on in Australia. It’s a solid all-around continuation to the series that fits in pretty well with what came before despite the somewhat severe thematic shift and abrupt ending.

    The Day the Dead Came to Show and Tell is mostly set during the transitory period when the school system was still adapting to the new reality of zombie outbreaks; it’s heavily weighted toward the topic of security theater and can become a bit heavy-handed at times. Meanwhile, Please Do Not Taunt the Octopus is a much more lighthearted tale (which is not to say it isn’t dark, because it is) that once again shifts the timeframe to post-trilogy and provides some closure to the previous story. It’s kind of exposition-heavy in the beginning and doesn’t really add much though.

    All the Pretty Little Horses and Coming to You Live are the only non-reprints in this collection. The former is again pre-trilogy (shedding some light on how Shaun and George’s parents ended up so mercantile) while the latter is post-trilogy, taking place after the earlier ones and expanding on the brief concern regarding the unknowns surrounding cloning technology that was brought up in How Green This Land. Though the first does a good job of filling that particular timegap, albeit unnecessarily, the second is pretty much completely unnecessary in all respects… which is not to say that it’s entirely unwelcome.


  • Sideswiped, The Drafter, & Once Broken Faith

    The Kim Harrison novella Sideswiped, a work meant to introduce you to the world of Peri Reed, is pretty bad. Both in its technical aspects and in the near-total lack of relevance it has to the first main novel in the series.

    Which would be The Drafter. After the terrible showing of the previous story (and preview first chapter) I waffled back and forth quite a bit over whether or not to give this a proper chance… and I should have went with my initial plan of ignoring it. While certainly better than Sideswiped it unfortunately has some major characterization and plot-related problems and isn’t very enjoyable in any respect. One interesting thing about it though is how, rather than an agency thriller, it comes off more like a gender equality allegory.

    Switching authors now, Seanan McGuire‘s Once Broken Faith is the tenth October Daye novel and does something a bit refreshing. Rather than further escalate matters it decides to take a step horizontally and introduce a number of the other North American Fae rulers while wrapping up both the aftermath of having found the antidote and (with the help of a bonus short story) the Queen of Mists’ situation. It’s a solid balance of humor, action, drama, and world-building.


  • A Red-Rose Chain, Magic Breaks, & Magic Shifts

    Seanan McGuire‘s A Red-Rose Chain has an ending problem; it’s both anti-climatic and rather abrupt. The journey up to that point is entertaining for the most part though, with the only hiccup being a bizarre page-and-a-half dialog regarding a character dramatically revealed to be transsexual. Why is there such a hamfisted focus on it? I don’t recall any particular attention being drawn to May’s lesbian relationship before, and this should have been no different.

    As for Ilona AndrewsMagic Breaks and Magic Shifts: The first acts as a conclusion of sorts to the background conflict that has been building from the very first entry in the series, while the second continues on in a slightly different yet still quite similar direction. There’s a comforting familiarity about them that was absent from their more recent prequels.


  • Books; Before and After

    First the before, which was three books read back in August:

    Jean le Flambeur – This trilogy by Hannu Rajaniemi reminded me of two other authors’ styles. The first book (The Quantum Thief) was reminiscent of Jack Vance, the second (The Fractal Prince) of R. Scott Bakker, and the third (The Causal Angel) a combination of the two. These books do not explain what’s going on. Rather, they show you what’s going on and trust that you’ll be able to understand/decipher the terminology and happenings on your own. It’s… certainly interesting.

    And now the after, three books I just read yesterday. The first since the trilogy above:

    The Winter Long – Seanan McGuire’s eighth October Daye novel apparently kicks off the ‘main’ plotline that’s been simmering in the background since Rosemary and Rue. Which is not to say that things have changed all that much, as it’s still fundamentally the same series it has always been… just with higher overall power levels.

    Unbinding – This eleventh Lupi novel is focused on wrapping up the loose ends from the tenth and is told from the perspective of the mindhealer Kai. There’s not really much to say about it honestly, since if you’ve been reading this far into the series you already know what to expect and this doesn’t do anything in particular to shake things up. One aspect stands out though, and that’s the possible newfound focus on marrying off its characters. I don’t really like the message this appears to be trying to send; that somehow ‘officially’ being bound to your SO should be important for the relationship in any way, shape, or form. Of course I highly doubt anyone impressionable enough to have their views on the subject changed will be reading a series like this in the first place, so I suppose it doesn’t matter much.

    Havoc – The second part of Ann Aquirre’s Dred Chronicles series is sort of so-so. I wasn’t really sure where things could go from the first book, and this one just feels like an excessive escalation. I also don’t remember the central government being so ridiculously corrupt in the Sirantha Jax novels (this takes place in the same universe), which caused some cognitive dissonance. It’s okay I guess, it just lacks solidity and doesn’t come across as particularly believable.


  • Indexing, Skin Game, & Some Other Books

    May as well get these out of the way while I’m updating things. Read them months ago and just couldn’t be bothered recording them.

    • Seanan McGuire‘s Indexing is pretty good. It’s a bit busy and the fairy tale elements are obviously contrived, yet it manages to work for the most part rather well.
    • The most recent Dresden Files installment, Skin Game, makes me start to seriously wonder what I ever liked about the series. To be fair I actually started wondering that last installment, but this one really drives the feeling home. The relationship between Dresden and Murphy, the light saber, his self-moral questioning… it’s all just cringe-worthy. There are a few notably well-done scenes, but for the most part it just seems incredibly juvenile.
    • The fourth book in Keri Arthur’s Nikki and Michael series is shockingly enough not awful. Rather, Kiss the Night Goodbye is merely average.
    • The Damask Circle series, also by Keri Arthur, ties into the above series. Its first three entries (Circle of Fire/Death/Desire) are all both episodic and more or less as painfully generic as a paranormal romance can be.
    • And finally we come to Cecy Robson, the author of the Weird Girls series. I found the first book to be one of the worst I’ve ever had the misfortune of reading, so of course (of course) the second and third ones were pre-ordered and showed up shortly after. The second, A Cursed Embrace, is so horrific I could not finish it… not even by skimming. In fact, it single-handily nearly destroyed my desire to ever pick up a paperback again. I flat-out refuse to so much as even open the third book.

  • Tempt the Stars, Omens, & Parasite

    The sixth book in Karen Chance‘s Cassandra Palmer series is a lot like the previous entries, so you should basically know what to expect. Its three notable features are exploring the hell dimensions a bit, introducing the Covens and touching on the Pythia’s court, and giving practically no page-time to Mircea (focusing instead on Pritkin and retrieving him from his father).

    Kelley Armstrong‘s new series (Cainsville) begins with a fairly infuriating opening segment showcasing the horrors of unwarranted tabloid-fueled reputation assassination. Once it gets past that setup and arrives in the town of Cainsville things begin to get quite good indeed. The supernatural aspects start off mostly subdued and only gradually begin to make their presence known, which works fantastically. And the variety of supernaturals being dealt with here? It’s not explicitly stated, but seems to be a combination of inherent psychic abilities with some Fae thrown in for good measure.

    Parasite is the first novel in Mira Grant’s (Seanan McGuire‘s) new Parasitology series. It’s something of a combination between the renegade scientist parts of her Newsflesh trilogy and Stephenie Meyer’s The Host. It’s a little shaky due to both the characters’ tendency to monologue exposition at you and the awkwardness inherent in the protagonist not being legally in control of her life. I’m also not sure if the reveal just before the “to be continued” is supposed to be a surprise or not; it’s telegraphed so heavily that it ends up rather anticlimactic.


  • Recent Books

    Normally I do these three at a time… but, well…

    Cast in Sorrow (Michelle Sagara) – Completes the storyline started in Cast in Peril. I’m indifferent toward it. While on the one hand there’s some tangible progress on the Barrani front, on the other the general style and plot developments are starting to seriously trend into the abstract and hand-wavy. It’s hard to read some of it without feeling a deep sense of skepticism. Aside: For some strange reason I picture the Barrani as being similar to The Last Remnant‘s Sovani.

    Chimes at Midnight (Seanan McGuire) – Not much to say about this really other than it’s just as good as the earlier October Daye novels. Well, one more thing: It seems to mark the beginning of shifting the overarching background conflict into the foreground.

    Ritual Magic (Eileen Wilks) – It’s fairly amazing that this series continues to avoid the various and sundry paranormal romance pitfalls. Picking up right where Mortal Ties left off, it ends with what looks to be a good point to switch over to a different set of protagonists for a bit.

    Steelheart (Brandon Sanderson) – The setting for this novel is very good and having a protagonist that seems to have either asperger’s or autism is an interesting choice. Unfortunately, those are the only things I can praise about it since the general character behavior and plot developments seem ripped right out of a summer blockbuster. It all feels so artificial.

    Perdition (Ann Aguirre) – This beginning of a new series set in the Sirantha Jax universe is, for the most part, very engaging indeed. The only area in which it slips up a bit is the romance aspect. The relationship seems a little forced and does not feel quite natural. That said, it’s certainly not as bad as what you’d find in a generic romance novel.

    Dancing with the Devil (Keri Arthur) – Speaking of generic romance novels…. I ordered the first three books in this series blind due to what I’m going to chalk up to sudden insanity. For some reason I thought this might be more like Arthur’s Myth and Magic series then her Riley Jenson/Dark Angels series. Again, no clue why I thought that, but this book is as generic paranormal romance as you can get.

    Hearts in Darkness (Keri Arthur) – The first entry in this series is merely generic; this one is downright painful. Not only is the most by-the-numbers example of a paranormal romance still present and as vaguely embarrassing as ever, signs of power-level creep start to appear alongside a dash of internal inconsistency.

    Chasing the Shadows (Keri Arthur) – While for the most part just as unpleasant to read as the second book, this does take an unexpected turn toward the end. The ‘good guys’ actually losing is a very rare thing to see in this sort of novel. Of course, considering the new suite of powers Nikki gains here that loss may end up being not much of a loss at all in the long run.